Tegan and sarah new album full#

Necessary cookies are absolutely essential for the website to function properly. It contains some of their best work, and despite not being 100% coherent, Love You To Death is another solid entry in the duoвЂ™s formidable catalogue. If anything, the depth and honesty of the lyrics seem to be enhanced by the simple, pop backdrop that Kurstin provides. Love You To Death is another excellent album from Tegan and Sarah, showing that the 80вЂ™s pop sound has life yet, and also that such explorations donвЂ™t dilute the duoвЂ™s emotional songwriting. Several moments in the song feel as though theyвЂ™re screaming for a beat to drop, but it never does. The track itself is actually quite excellent, telling the story of someone making a drastic move after falling out of love вЂ“ вЂњit was cruel of me to do what I did to youвЂќ вЂ“ but the piano-only instrumental feels out of place amongst the more complex productions surrounding it. That Girl is a great album opener, with mature lyrics вЂ“ вЂњwhen did I become that girl / that girl I seeвЂќ вЂ“ and a sparkly, yet tense beat. The explosion of synths in the chorus sounds huge, and the playful melody вЂ“ вЂњtonight, youвЂ™re fuel for my fireвЂќ вЂ“ is a great match for the confident and romantic lyrics. Stop Desire, also produced by Kurstin, could easily fit on any major pop blockbuster album this year. The gendered language in the chorus вЂ“ вЂњyou treat me like your boyfriendвЂќ вЂ“ adds a delightfully non-heteronormative spin to the story, but the duo focus more on the universally relatable feelings of impatience and a fear of commitment. Avoiding salacious details, the duo cut right to the emotional heart of the concept, with Sara feeling unsure and neglected, but also defiant вЂ“ вЂњyou turn me on like you want your boyfriend / but I donвЂ™t want to be your secret anymoreвЂќ. Over the pulsating production of Greg Kurstin, they sing about a former love triangle, supposedly one involving Sara Quin, a bisexual woman, and the man she was still dating. This album sees the Quins allowing themselves to divulge more personal details than ever before, and that quality shines through in Boyfriend. Lead single Boyfriend is a great example of the sheer quality of the sistersвЂ™ writing. Love You To Death may be even more pop than ever before, but that doesnвЂ™t mean the duo have sacrificed their excellent songwriting.

Tegan and sarah new album full#

Their 2013 album вЂ“ Heartthrob вЂ“ was a full fledged push into glittering synth-pop, and its style was mimicked on Taylor SwiftвЂ™s huge hit 1989. For all its acoustic instrumentation and punky energy, their debut album вЂ“ Under Feet Like Ours вЂ“ is built almost entirely around sing-along chorus. Furthermore, the band has spent most of the last decade telegraphing the direction they intended to take. It doesnвЂ™ t hurt that the album is filled with catchy but not overly poppy songs.For all the fan outrage at their current direction, the poppification of Tegan and Sara is hardly unprecedented.

But Tegan and Sara have found a way to release modern music with themes from teenage years and still remain authentic. Artists need to evolve Taylor Swift canвЂ™t be вЂNineteenвЂ™ forever, and neither can Tegan and Sara. Authenticity and pop appeal equals a strong combination for longevity for at least a few more years. ItвЂ™s also convenient that they donвЂ™t have to write and pretend that theyвЂ™re still teenagers they have lyrics from their teenage years to build on.

This is closer to the rock-pop genre вЂ“ a genre that is conveniently appealing to the mainstream pop top 40 lists right now. Their previous albums have ranged from a more acoustic, indie style, to a more dance-pop sound. I find this clever as Tegan and Sara need to appeal to a younger generation, and want their musical style to remain in the pop genre. ItвЂ™s comprised of songs they wrote as teenagers, 20 years ago, and contains song themes that teenage songwriters would write about. I found this albumвЂ™s concept particularly interesting from a positioning/branding perspective.